In the introduction to Free Culture, Lawrence Lessig makes this caveat about the scope and style of his project:
My method is not the usual method of an academic. I don’t want to plunge you into a complex argument, buttressed with references to obscure French theorists— however natural that is for the weird sort we academics have become. [p. 13]
This is almost boilerplate language these days if an academic wants to write for a general audience. It says several different things to different types of readers. To academic colleagues, it says, “I know I am stepping outside the tent for his.” To everyone else, it says, “I’m plain folks like you, not an elitist.”
I’ve used the meme myself, many times, to negotiate an awkward stance that is smitten with theory but yearns to connect and communicate with people who never suffered through a graduate seminar. I said this in my first attempt to write about the blind flaneur:
The word pedestrian, with its connotations of banality and routine, does not begin to express the satisfactions I experience in this kind of walking. The French have better words for it. The verb is flanare, which loosely means to stroll or to wander timelessly. One who walks this way is a flaneur. In Paris, such walking evolved into an art form. Poet Charles Baudelaire and critic Walter Benjamin were two of its great artists. In their imaginations, an aimless stroll through the streets of Paris became social transformation, the construction of new and subjective realities out of the pedestrian debris of cultural excess and alienation. Whew! Fortunately, you do not have to be a postmodern theorist to follow the flaneur’s art. It can be as simple as strolling down Rue Mouffetard with a baguette under your arm.
This meme isn’t anything new, postmodern, or modern. It goes back to the time of Diderot and Locke, maybe Descartes and Hobbes. It carries with it the Anglophilic cultural prejudice that contrasts fanciful French theory with practical English action.
![shepard_fairey_hope_2008 Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg)
![danger_mouse_grey_album_cover_200 Promotional artwork for "The Grey Album" by Justin Hampton. This was not used for the actual cover, but appeared on the Danger Mouse website in 2004. [Source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/danger_mouse_grey_album_cover_200.jpg)


![ada_signing_072690_ucp_2 President George H.W. Bush signs into law the Americans with Disabilities Act (ADA) on July 26, 1990 as Justin Dart looks on. [Source: ucp.org]](http://fairuselab.net/wp-content/uploads/2010/07/ada_signing_072690_ucp_2.jpg)
it is good but…..it could be better. this is my thoughts you don’t have to listen but i am a art critic. thanks.