Visitors at the National September 11 Memorial and Museum can touch the names of those who perished in the attacks. The names are cast in bronze parapets ringing the reflection pools that now fill the footprints of the Twin Towers. It is a worthy example of a universal design element that also provides tactile accessibility to blind visitors. [Source: C-Span live stream]
- 9/11 Memorial Webcam | National September 11 Memorial & Museum
EarthCam’s live webcam brings into view the National September 11 Memorial & Museum. Use the navigation tools to direct the camera. You can also save the high definition image on your computer, print it or share it with friends.
- National September 11 Memorial & Museum | World Trade Center Memorial
- All The Names: Algorithmic Design and the 9/11 Memorial | blprnt.blg 061011
Jer Thorpe: “The project was to design an algorithm for placement of names on the 9/11 memorial in New York City. In architect Michael Arad‘s vision for the memorial, the names were to be laid according to where people were and who they were with when they died – not alphabetical, nor placed in a grid. Inscribed in bronze parapets, almost three thousand names would stream seamlessly around the memorial pools. Underneath this river of names, though, an arrangement would provide a meaningful framework; one which allows the names of family and friends to exist together. Victims would be linked through what Arad terms ‘meaningful adjacencies’ – connections that would reflect friendships, family bonds, and acts of heroism. through these connections, the memorial becomes a permanent embodiment of not only the many individual victims, but also of the relationships that were part of their lives before those tragic events.”
- Jer Thorp on Algorithmic Design and the 9/11 Memorial | Spark
On the newly opened 9/11 memorial at Ground Zero in New York City, the names are laid according to where people were and who they were with when they died. Jer Thorp had the difficult task of designing an algorithm for placement of the names, and he talks to Nora about the challenges of using math and computer science to tackle a very, very sensitive problem. (Runs: 13:44)
- Remembering the Twin Towers Using Augmented Reality | Spark 082911
Brian August has created an app that uses augmented reality to add a silhouette of the World Trade Center to images of New York City’s skyline. He calls the project 110 Stories, and he tells Nora why he thinks this app is about more than the destruction of the twin towers. (Runs: 8:47)
- The criminalization of speech since 9/11 – War Room – Salon.com 091011
The case is an example of prosecutors’ aggressive use, in the decade after Sept. 11, of the preexisting law that bars providing “material support” to officially designated terrorist groups. In a landmark case last year, the Supreme Court endorsed the government’s broad interpretation of the material-support law in a way that critics say criminalizes speech. The expanded use of the material-support law is an important part of the legacy of 9/11 and the legal regime erected in response to the attacks.
- The Talk Online – Web Offers Both News and Comfort – NYTimes.com 091201
[Dave Winerlinks to this] NYT writeup, the day following 9/11/01, on the role bloggers played in getting the first information about the attacks.
- Scripting News: My 9/11 | 091011
Dave Winer: “I realize I am a strange duck from the standpoint of 9/11. I experienced it from California, and blogged it, as my NY counterparts couldn’t. I received their emails and pointed to their pictures and stories. I acted as an online anchor, and learned a lot that day, and grew a lot, all while being scared out of my mind and depressed. The blogging helped me get through it.”
- Scripting News: 9/11/2001
Dave Winer’s historic blog post from 9/11 — still linked on the net.
- Newly Released 9/11 Audio – On The Media
This week, Rutgers Law Review published an archive of conversations between air traffic controllers on the morning of September 11, 2001. Jim Dwyer of The New York Times wrote about the newly released audio, and talks to Bob about what we can learn from them.
- Arbitrary Restrictions on Photographers – On The Media 090911
At times during the last decade, authorities have arbitrarily stopped photographers from taking pictures in the name of national security. For example, University of Maryland student Reza Farhoodi was removed from his seat at a Washington Redskins game because he was using a ‘professional camera’ – even though there is no prohibition against using ‘professional’ cameras at football games. Brooke spoke with attorney Morgan Manning about being forbidden to photograph.
- [webdev] Web Design Update: September 9, 2011
via Laura Carlson; Volume 10, Issue 11, September 9, 2011. An email newsletter to distribute news and information about web design and development.
- Hugh Herr – ‘The Double-Amputee Who Designs Better Limbs’ : NPR 081711
Nearly 30 years ago, Hugh Herr lost both of his legs in a climbing accident at age 17. Today, he runs the Biomechatronics group at the MIT Media Lab and designs better prosthetic limbs for other amputees.
- Masked Anonymous Protesters Aid Time Warner’s Profits – NYTimes.com
When members of Anonymous, the hacker group, appear in public to protest censorship and what they view as corruption, they don a plastic mask of Guy Fawkes, the 17th-century Englishman who tried to blow up the Houses of Parliament. What few people seem to know, though, is that Time Warner, one of the largest media companies in the world and parent of Warner Brothers, owns the rights to the image and is paid a licensing fee with the sale of each mask.
- Remix Breakdown: Turning Adele’s ‘Rolling In The Deep’ Into A Summer Jam : NPR 090511
“When you’re in the remixing game you look for certain things in a song. Certain songs have a lot going on in them that are really hard to eliminate when all you want is the vocal sample or basic idea,” Dirlam says. “Every single DJ that has remixed ‘Rolling In The Deep’ owes Rick Rubin a huge kiss on the lips. Rubin strips down songs and exposes them for what they are. Here you have claps, guitars, bass, piano, her voice, and that’s it.”