This year marks the 20th anniversary of the Americans with Disabilities Act. Twenty years is significant, not because it’s a round number, but rather, because it represents a generation of experience gained since the law was passed. Many of us who lobbied for the ADA believed at the time that it could take a generation or more, as it had with the Civil Rights Act before it, to fulfill the ADA’s promise of equal opportunity for Americans with disabilities.
Re-Imagining Accessibility & Disability in the Public Sphere
Shape-Shifters
![Shepard Fairey’s “Barack Obama/Hope” image went viral during the 2008 election. Then controversy about the image’s source transformed it into the poster child for fair use in the public debate over copyright and free culture. Now FULAB takes “Hope” as its icon [Image source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/shepard_fairey_hope_2008.jpg "shepard_fairey_hope_2008")
Re-imagining accessibility through the transformations of culture -- particularly the transformative promise of accessible technology for people with disabilities -- is the work of the Fair Use Lab. What does Shepard Fairey’s Hope poster have to do with accessibility? Read more: Shape-Shifters in the Fair Use Lab [MiT6 2009]Blind Photographers
In the moment when Paul Strand photographed her surreptitiously on the street in New York, the social engineers who created a system for licensing beggars never imagined that a blind woman had culture or could make culture. She herself may not have imagined it. Paul Strand probably didn’t give her much credit for making culture, either. Read more: Curiosity & The Blind Photographer [MiT5 2007] See more on blind photographers.Remix: Danger Mouse
![Promotional artwork for "The Grey Album" by Justin Hampton. This was not used for the actual cover, but appeared on the Danger Mouse website in 2004. [Source: Wikipedia]](http://fairuselab.net/wp-content/uploads/2009/03/danger_mouse_grey_album_cover_200.jpg "danger_mouse_grey_album_cover_200")
Will DJ Danger Mouse become the Che Guevara of digital sampling? Consider the case for fair use made by The Grey Album.
ADA 20th Anniversary
![President George H.W. Bush signs into law the Americans with Disabilities Act (ADA) on July 26, 1990 as Justin Dart looks on. [Source: ucp.org]](http://fairuselab.net/wp-content/uploads/2010/07/ada_signing_072690_ucp_2.jpg "ada_signing_072690_ucp_2")
On its 20th anniversary, pundits will debate what the Americans with Disabilities Act has accomplished. I still believe what I said in a TV interview after the ADA signing ceremony in 1990. “The ADA will not end disability discrimination overnight. But in a nation governed by the rule of law, getting it in writing is the place to start.” So what is the ADA's legacy? A Generation of Problem-Solvers.
Disability As Praxis
I am a parent, homeowner, knowledge worker, and person with disabilities. Oppression is not my true word, but praxis is. In Paulo Freire’s transformative work, I find an affirmation deeper than ideology or political activism -- an affirmation of the dynamic role of disability in culture. I believe the daily praxis of making adaptations and negotiating accommodations represents a significant form of cultural production. Read Disability As Praxis.
a blind flaneur